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A dancer performing a contemporary dance piece Contemporary dance is a genre of dance performance that developed during the mid twentieth century and has since grown to become one of the dominant genres for formally trained dancers throughout the world, with particularly strong popularity in the U.S. and Europe. Although originally informed by and borrowing from classical, modern, and jazz styles, it has since come to incorporate elements from many styles of dance.
 Due to its technical similarities, it is often perceived to be closely related to modern dance, ballet, and other classical concert dance styles. In terms of the focus of its technique, contemporary dance tends to combine the strong but controlled legwork of ballet with modern that stresses on torso. It also employs contract-release, floor work, fall and recovery, and improvisation characteristics of modern dance.
 Unpredictable changes in rhythm, speed, and direction are often used, as well. Additionally, contemporary dance sometimes incorporates elements of non-western dance cultures, such as elements from African dance including bent knees, or movements from the Japanese contemporary dance, Butoh. History Main article: Modern dance Contemporary dance performed by Le Sacre Contemporary dance draws on both classical ballet and modern dance, whereas postmodern dance was a direct and opposite response to modern dance.
Merce Cunningham is considered to be the first choreographer to "develop an independent attitude towards modern dance" and defy the ideas that were established by it. In 1944 Cunningham accompanied his dance with music by John Cage, who observed that Cunningham's dance "no longer relies on linear elements (...) nor does it rely on a movement towards and away from climax. As in abstract painting, it is assumed that an element (a movement, a sound, a change of light) is in and of itself expressive; what it communicates is in large part determined by the observer themselves.
" Cunningham formed the Merce Cunningham Dance Company in 1953 and went on to create more than one hundred and fifty works for the company, many of which have been performed internationally by ballet and modern dance companies. Cunningham's key ideas Cunningham's key ideas include: Contemporary dance does refuse the classical ballet's leg technique in favor of modern dance's stress on the torso Contemporary dance is not necessarily narrative form of art Choreography that appears disordered, but nevertheless relies on technique Unpredictable changes in rhythm, speed, and direction Multiple and simultaneous actions Suspension of perspective and symmetry in ballet scenic frame perspective such as front, center, and hierarchies Creative freedom "Independence between dance and music" Dance to be danced, not analyzed Innovative lighting, sets, and costumes in collaboration with Andy Warhol, Robert Rauschenberg, and Jasper Johns  Other pioneers of contemporary dance (the offspring of modern and postmodern) include Ruth St.
Denis, Doris Humphrey, Mary Wigman, Francois Delsarte, Émile Jaques-Dalcroze, Paul Taylor, Rudolph von Laban, Loie Fuller, Jose Limon and Marie Rambert. Choreographer's role There is usually a choreographer who makes the creative decisions and decides whether the piece is an abstract or a narrative one. Dancers are selected based on their skill and training. The choreography is determined based on its relation to the music or sounds that is danced to.
The role of music in contemporary dance is different from in other genres because it can serve as a backdrop to the piece. The choreographer has control over the costumes and their aesthetic value for the overall composition of the performance and also in regards to how they influence dancers’ movements. Dance technique Le Sacre du Tempo Dance techniques and movement philosophies employed in contemporary dance may include Contemporary ballet, Dance improvisation, Modern dance styles from United States such as Graham technique, Humphrey-Weidman technique and Horton technique, Modern dance of Europe Bartenieff Fundamentals and the dance technique of Isadora Duncan (also see Free dance).
Contemporary dancers train using contemporary dance techniques as well as non-dance related practices such as Pilates, Yoga, the acting practice of Corporeal mime - Étienne Decroux technique and somatic practices such as Alexander technique,Feldenkrais Method, Sullivan Technique and Franklin-Methode, American contemporary techniques such as José Limón technique and Hawkins technique and Postmodern dance techniques such as Contact improvisation and Cunningham technique, and Release technique.
Some well-known choreographers and creators of contemporary dance created schools and techniques of their own. Paul Taylor developed a dance technique called Taylor technique, which is now taught at modern dance schools like The Ailey School in New York City. See also Modern dance Contemporary ballet Tanztheater References ^ "Concordia University Contemporary Dance Program". ^ Scheff, Helene; Marty Sprague; Susan McGreevy-Nichols (2010).
Exploring dance forms and styles: a guide to concert, world, social, and historical dance. Human Kinetics. p. 87. ISBN 0-7360-8023-6. ^ "Origins of Contemporary Dance". Retrieved 28 February 2012. ^ a b c "Contemporary Dance History". Retrieved 28 February 2012. ^ "Modern Dance Pioneers". Retrieved 28 February 2012. ^ "Choreo". Retrieved 28 February 2012. ^ The Juilliard School - Dance Division - Curriculum Outline External links Contemporary-dance.
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Around 1980s, the world "contemporary dance" referred to the movement of new dancers who did not want to follow strict classical ballet and lyrical dance forms, but instead wanted to explore the area of revolutionary unconventional movements that were gathered from all dance styles of the world. Contemporary dances therefore do not use fixed moves and instead try to develop totally new forms and dynamics, such as quick oppositional moves, shifting alignments, expressions of raw emotions, systematic breathing, dancing moves preformed in non-standing positions (for example lying on the floor), and in general trying to find the absolute limits of our human form and physique.
The origins of this popular dance movement can be traced to several influential dance masters such as Isadora Duncan, Martha Graham and Merce Cunningham. They all wanted to show to the world that contemporary dancers should embrace freedom, ignore old dance conventions and explore the limits of the human body and visual expression of feelings. Also, one of the precursors to the contemporary dance can be found in the millennia's old techniques of Zen Buddhism and Indian Health Yoga, which incorporates various dancing philosophies that closely follow the principles of contemporary dance.
Dancer who introduced and greatly popularized the contemporary dance to the worldwide audience was Martha Graham (1894 - 1991). During her seven decade long career, her modern dance and choreographies gathered the fame that is today compared to the life works of legendary art geniuses such as Picasso, Stravinski and Frank Lloyd Wright. Merce Cunningham refined the work that his colleague Martha Graham formed, and expanded with this his own improvements, choreographies and avant-garde dance techniques.
During his long career he was regarded as one of the greatest creative forces in American dance, education dozens of worldwide famous dancers and thousands professional dancers who preserved his style until today. Lester Horton was a very influential contemporary dance visionary, who trained many famous modern dancers and managed to incorporate the styles of Native American dance and modern jazz into his dance techniques.
Title: Types Of Contemporary Dance